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I use mostly a slightly-modified version of his Pinhair Sable and Ray-pidograph brushes, but "out-of-the-box" they work great and better than the software's stock brushes.
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Here are some thoughts about working with the Surface Pro 2, Photoshop, and Manga Studio 5/Clip Studio Paint: That's a half-year shorter than I gave myself to get comfortable/immersed in turning in fully digital work. So I bought and highly recommend the Wacom Bamboo Feel Stylus, which is thicker, heftier, and feels more natural in the hand when drawing:Īfter fooling around with Photoshop and Clip Studio Paint for about six months, I took the plunge and did my first digitally-inked pages in the recently-released Catwoman Annual issue.
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Of course, that would mean that I'd have to experience another learning curve (the Clip Studio Paint software), but when I jump, I jump in with both feet first!Īnother thing that I have learned from reading reviews is that I should immediately upgrade the stylus instead of using the crappy, skinny, plastic stock stylus that comes with the Surface Pro 2. When I started up the Surface Pro 2, I immediately loaded it with my Photoshop CC and decided to download Clip Studio Paint (which is the direct download version of the popular Manga Studio 5-why they give it two separate names depending on the download/disc version is beyond me). Plus, with the Surface Pro 2's 1024 levels of Wacom-enabled pressure sensitivity (the same as my dated Intuos 3 small tablet), what more would I need to do the type of work I need to? I certainly didn't think it offered double the performance.
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Why the Surface Pro 2? In short, the Wacom Citinq Companio n-a similar portable computer drawing tablet competitor aimed solely at digital creatives-seemed a little steep at almost double the price. Of course, with my luck, soon after I bought the Pro 2, then the Pro 3 was announced. In April of 2014, I bit the bullet after reading so many reviews and blogs (an excellent one that I have to mention is ) about other artists' experiences and bought the Microsoft Surface Pro 2. Otherwise it'd be a total waste of my money. A portable sketchbook! The Microsoft Surface Pro 2Ībout a year ago, I told myself that if I ever invested in a drawing tablet/computer, then I would give myself 1 year from the date of purchase to learn to be fully comfortable doing professional quality work that I can deliver. We have computer tablets that can now support true pressure sensitivity, with the plus side being that they can be carried with you everywhere with ease. Nowadays, there is competition and the move has gone to portability.
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the Wacom Cintiq) with full pressure sensitivity, it provided an even closer replication of the full, traditional drawing experience (albeit much more expensive than drawing on a tablet on your lap whilst looking up at a separate screen-a disconnect that many artists dislike). When this technology was introduced to be able to draw directly on the screen (i.e. Digital art does not equal a magical software that "comes up" with images with a few button presses. Except now we don't have to carry around all these extra drawing tools, which may be inconvenient at times. For the average layperson who may not understand: make no mistake, we artists are drawing on the computer exactly as how we are drawing on traditional paper. The ability for tablet drawing ( Wacom being the gold standard) to emulate stokes of pencil, pens, brushes, etc., coupled with the processing speed/power to make those strokes near-instantaneous has been a huge boon for illustrators and photo retouchers to help speed up their workflow. Creating art digitally has never been more popular, and now technology has made it easier and more practical for traditional artists to transition over to this exciting medium.